Reviews

Click on media outlet to read the full review.

“Nothing short of riveting, excavating a strange, compelling story from the footnotes of history… The impressive breadth of archival footage manages to sidestep the era’s clichés, while Moore, who served more than 30 years of a life prison sentence, shows off her prime storytelling skills and occasionally some deft evasions. One of the 23 Best (and Most Anticipated) Documentaries of 2024.”

Lisa Wong Macabasco
Vogue

“‘Suburban Fury’ does that rare thing and offers a highly specific motivation for Moore’s infamous crime… Holds you with a kind of rapt tension.”

Owen Gleiberman
Variety

“Riveting. Bursting with the energy of the archives and the thrill of a narrator who can’t quite be trusted.”

Lovia Gyarke
The Hollywood Reporter

“A captivating documentary thriller. An incredibly cinematic and high-energy viewing experience.”

Olga Artemyva
Screen Anarchy

“Fascinating. Paints its subject as a microcosm for the country that produced her.”

David Ehrlich
IndieWire

“Engrossing. Plays like some of the best 1970s suspense thrillers.”

Frank Avella
The Contending

“The most satisfying and rewarding aspect of “Suburban Fury” is its wealth of wonderful archival footage. The clips of national politicians and news events, juxtaposed with footage of radical Bay Area political groups, are a joy to behold, as are the street scenes of San Francisco and Oakland in the tempestuous 1970s.”

Rae Alexandra
KQED

“Moore is a fascinating subject, and she’s aware of this fact about herself… What makes up the rest of the film is a far more engaging collection of archival footage, much of which answers the question: why would someone want to kill Gerald Ford? Moore, to her credit, is a wily and seductive subject.”

Fran Hoepfner
Bright Wall/Dark Room

“It’s a fascinating historical story on the radicalized would-be presidential assassination suburban single mother Sara Jane Moore.“

Dennis Schwartz
Dennis Schwartz Movie Reviews

“Devor’s filming technique is very stylized with nods to the paranoid cinema of the 1970s… Fortunately Devor is not overly concerned with unveiling the “truth” but rather exploring Sara Jane Moore’s various influences along with the social and historical landscape of the time. Viewing the film through this lens is quite rewarding and even suggests some parallels with our contemporary political climate.”

Margaret Barton-Fumo
Alliance of Women Film Journalists

“‘An archival adventure, with stories and characters whirling in and out of focus… Devor avoids making Moore a mere talking head by interviewing her as she sits in a car, looking down across San Francisco, composing a wry visual metaphor for her journey to and from the penitentiary. The landscape around her seems graceful and orderly; this dizzying film reminds us that it was anything but.”

David D’Arcy
The Arts Fuse

“Moore is as much a person as she is a persona, a symbol. Through the camera’ gaze, she is a vehicle for cinematic exploration… Just as she constructs her myth, so did America create a mythos for its past. They reflect each other and “Suburban Fury” is the light caught between two mirrors face to face.”

Cláudio Alves
The Film Experience

“Devor’s meticulous recounting of Moore’s actions only deepens their mystery.”

Brad Hanford
Slant Magazine

“Moore’s story is the kind of stranger-than-fiction story that many documentary filmmakers dream of… There’s genuine visual imagination in the way Devor and cinematographer Sean Kirby stage and frame the backdrops surrounding Moore, each setting relating to a section of her story. Devor’s use of archival footage and clips throughout… is similarly masterful in the way he deploys them to add cultural context to Moore’s testimony.”

Kenji Fujishima
Book and Film Globe

“Fascinating. The film’s greatest strength — its bevy of archival material. The filmmakers flesh out a gripping sense of time and place.”

Travis DeShong
In Review Online